Q & A with Helen Garner
Diana Simmonds talks to acclaimed author Helen Garner. read more
Diana Simmonds talks to acclaimed author Helen Garner. read more
In lesser hands, the idea for the plot and characters could so easily have given a nod to Romeo and Juliet; but Miller is a thoughtful and accomplished writer and avoids all temptations to cliche or t read more
Help 7 to 18 year olds develop their acting. read more
The Sydney Theatre Company is busier than it’s ever been as the doors being opened by (to?) co-artistic director Cate Blanchett continue to amaze. read more
Suzie Miller sits down with StageNoise ahead of the world premiere of her new show. read more
It’s a pity the focus of the for-and-against factions wasn’t a more interesting piece of work. read more
StageNoise.com in association with Riverside Theatres is giving readers the chance to win double passes to the world premiere production of All the Blood and All the Water by Suzie Miller.
read moreTrisha Crowe talks to StageNoise about the Sydney Symphony, Stephen Sondheim, singing for sick kids at Westmead, Bjork and Songs from the Movies. read more
Ingenuity and imagination are to the fore in this staging of Tony Kushner's play. read more
Australia’s voice of opera and operetta, John Cargher, has died at the age of 89. read more
Four characters are in search of answers to the question: what is a good German? There are many other subsidiary questions that hang off this central theme, and all are examined with varying degrees o read more
Byrne’s relationship with books and authors is passionately enthusiastic and bubbles over with pleasure in the printed word. read more
About to embark on a national tour Carl took time out to join us on StageNoise.com for a Quick Chat. read more
The writing and performances here transcend the jokefest and are sweetly, poignantly moving. read more
It’s finely constructed, beautifully realised, meaningful, highly entertaining and deserves to be a big hit. read more
We’re accustomed to thinking Mike Moore has the sole rights to political satire and exposition. Well ha – Global Haywire makes Moore look like a clodhopping blunderbuss by comparison. read more
It's the human beings and their laughter, pain, dilemmas and aspirations who are the identifiable and identifiable-with raison d'etre for this and all the best drama. read more
The Kid is rough around the edges and as clumsy as might be expected of a first major play. But it probably isn’t as rough or clumsy as this production suggests. read more
It is impossible to see how this telling of the story would have lasted and come down to us over the millennia. read more
Tankard’s history demonstrates that she never closes her eyes to a new possibility and will jump into the abyss rather than tippy-toe endlessly in safe territory. read more
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