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The Serpent's Teeth

The Serpent's Teeth

Theatre / Review / By Diana Simmonds
It’s a pity the focus of the for-and-against factions wasn’t a more interesting piece of work.

ANGELS IN AMERICA (PART 1)

ANGELS IN AMERICA (PART 1)

Theatre / Review / By Diana Simmonds
Ingenuity and imagination are to the fore in this staging of Tony Kushner's play.

The Good German

The Good German

Theatre / Review / By Diana Simmonds
Four characters are in search of answers to the question: what is a good German? There are many other subsidiary questions that hang off this central theme, and all are examined with varying degrees o

You Talkin' to Me? - Diary of an Olympic Cabbie

You Talkin' to Me? - Diary of an Olympic Cabbie

Theatre / Review / By Diana Simmonds
The writing and performances here transcend the jokefest and are sweetly, poignantly moving.

Ruben Guthrie

Ruben Guthrie

Theatre / Review / By Diana Simmonds
It’s finely constructed, beautifully realised, meaningful, highly entertaining and deserves to be a big hit.

Global Haywire

Global Haywire

Theatre / Review / By Diana Simmonds
We’re accustomed to thinking Mike Moore has the sole rights to political satire and exposition. Well ha – Global Haywire makes Moore look like a clodhopping blunderbuss by comparison.

Rock 'N' Roll

Rock 'N' Roll

Theatre / Review / By Diana Simmonds
It's the human beings and their laughter, pain, dilemmas and aspirations who are the identifiable and identifiable-with raison d'etre for this and all the best drama.

The Kid

The Kid

Theatre / Review / By Diana Simmonds
The Kid is rough around the edges and as clumsy as might be expected of a first major play. But it probably isn’t as rough or clumsy as this production suggests.

Antigone – the Burial at Thebes

Antigone – the Burial at Thebes

Theatre / Review / By Diana Simmonds
It is impossible to see how this telling of the story would have lasted and come down to us over the millennia.

INUK2

INUK2

Theatre / Review / By Diana Simmonds
Tankard’s history demonstrates that she never closes her eyes to a new possibility and will jump into the abyss rather than tippy-toe endlessly in safe territory.

Year of Magical Thinking

Year of Magical Thinking

Theatre / Review / By Diana Simmonds
How to tell the untellable? How to bear the unbearable? How to explain the inexplicable?

Platinum At Campbelltown

Platinum At Campbelltown

Visual Art / Review / By Gil Appleton
Portraits that demand attention

Cat on a Hot Tin Roof

Cat on a Hot Tin Roof

Theatre / Review / By Diana Simmonds
A curate's egg: good in parts and a bit smelly around the edges

Sacred Monsters

Sacred Monsters

Theatre / Review / By Diana Simmonds
Akram Khan Company with Sylvie Guillem

Kommer

Kommer

Theatre / Review / By Diana Simmonds
One of the more unexpected, unpredictable and original works in this year's Adelaide Festival

Miserere

Miserere

Music / Review / By Diana Simmonds
Adelaide Chamber Singers

Lovers and Haters

Lovers and Haters

Theatre / Review / By Diana Simmonds
From the Adelaide Festival of Arts

The Age I'm In

The Age I'm In

Theatre / Review / By Diana Simmonds
From the 2008 Adelaide Festival of Arts

A Midsummer Night's Dream

A Midsummer Night's Dream

Theatre / Review / By Diana Simmonds
The Empire Strikes Back

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