with Diana Simmonds
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REVIEW ARCHIVE

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The Kid

The Kid is rough around the edges and as clumsy as might be expected of a first major play. But it probably isn’t as rough or clumsy as this production suggests.

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Antigone – the Burial at Thebes

It is impossible to see how this telling of the story would have lasted and come down to us over the millennia.

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INUK2

Tankard’s history demonstrates that she never closes her eyes to a new possibility and will jump into the abyss rather than tippy-toe endlessly in safe territory.

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Year of Magical Thinking

How to tell the untellable? How to bear the unbearable? How to explain the inexplicable?

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Platinum At Campbelltown

Portraits that demand attention

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Cat on a Hot Tin Roof

A curate's egg: good in parts and a bit smelly around the edges

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Sacred Monsters

Akram Khan Company with Sylvie Guillem

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