You Talkin' to Me? - Diary of an Olympic Cabbie
The writing and performances here transcend the jokefest and are sweetly, poignantly moving. read more
The writing and performances here transcend the jokefest and are sweetly, poignantly moving. read more
It’s finely constructed, beautifully realised, meaningful, highly entertaining and deserves to be a big hit. read more
We’re accustomed to thinking Mike Moore has the sole rights to political satire and exposition. Well ha – Global Haywire makes Moore look like a clodhopping blunderbuss by comparison. read more
It's the human beings and their laughter, pain, dilemmas and aspirations who are the identifiable and identifiable-with raison d'etre for this and all the best drama. read more
The Kid is rough around the edges and as clumsy as might be expected of a first major play. But it probably isn’t as rough or clumsy as this production suggests. read more
It is impossible to see how this telling of the story would have lasted and come down to us over the millennia. read more
Tankard’s history demonstrates that she never closes her eyes to a new possibility and will jump into the abyss rather than tippy-toe endlessly in safe territory. read more
How to tell the untellable? How to bear the unbearable? How to explain the inexplicable? read more
Portraits that demand attention read more
A curate's egg: good in parts and a bit smelly around the edges read more
Brilliant read more
Akram Khan Company with Sylvie Guillem read more
One of the more unexpected, unpredictable and original works in this year's Adelaide Festival read more
Adelaide Chamber Singers read more
From the Adelaide Festival of Arts read more
From the 2008 Adelaide Festival of Arts read more
Meanwhile... Back at the Wharf... read more
A terrific idea with musical and dramatic potential read more
The Empire Strikes Back read more
Diana Simmonds reports from the Festival and reviews Ainadamar! read more
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