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Tankard’s history demonstrates that she never closes her eyes to a new possibility and will jump into the abyss rather than tippy-toe endlessly in safe territory. read more
Tankard’s history demonstrates that she never closes her eyes to a new possibility and will jump into the abyss rather than tippy-toe endlessly in safe territory. read more
How to tell the untellable? How to bear the unbearable? How to explain the inexplicable? read more
Portraits that demand attention read more
A curate's egg: good in parts and a bit smelly around the edges read more
Brilliant read more
Akram Khan Company with Sylvie Guillem read more
One of the more unexpected, unpredictable and original works in this year's Adelaide Festival read more
Adelaide Chamber Singers read more
From the Adelaide Festival of Arts read more
From the 2008 Adelaide Festival of Arts read more
Meanwhile... Back at the Wharf... read more
A terrific idea with musical and dramatic potential read more
The Empire Strikes Back read more
Diana Simmonds reports from the Festival and reviews Ainadamar! read more
Guess Why! read more
Flashy, spectacular and non-stop read more
An enduring work of theatre, politics and human story-telling read more
Brave and bold new Australian work read more
Actor-Producer Denise Roberts writes about the Short and Sweet finals read more
Part 2 of Caroline's diary from the 2008 Perth Festival read more
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